‘‘ My hope is that this new community building and George Street public plaza will become a cherished destination in Sydney’s city center, a generative place for people to connect, recharge, reflect and take a pause from the rhythm of a fasttransforming city” - David Adjaye
Rooted in lost history, the new Sydney Plaza & Community Building is about the meaning of place, heritage, and identity. An attempt to uncover, layer, and celebrate the Eora origins of this part of coastal Sydney, the project is about the reconciliation of cultures and defining identity in an ever-changing world. This acknowledgement of difference lies at the heart of the proposal and aims to create hybrid mutations from the layers of human inhabitation on the land that elucidate the history of encounters between settlers and indigenous communities.
Inspired by simple unitary forms and placemaking in Aboriginal culture, Sydney Plaza’s new cultural anchor point is a seed of history based around the notion of shelter—a symbolic room to pause from the rhythm of a fast-transforming city that is discovered and dissolves through light. To connect this profound center with the site’s heritage and origins, Adjaye collaborated with Daniel Boyd, a renowned contemporary artist of Kudjla / Gangalu Aboriginal descent, on the project’s key feature—a 27x34m perforated canopy that shelters and unites the community building and the plaza under a poetic layer of light and dark, solid and void.
An indirect meditation on Gestalst psychology, Boyd’s artwork is experienced as a cosmic journey of light that filters and refracts through multiple, randomly scattered, circular, mirror-lined openings that culminate as a holistic visual field. Suspended from a series of trusses supported by a singular steel column, the canopy defines the rectangular perimeter of the public plaza and helps to dissolve the surrounding architecture to activate a new place of collective encounter.
Weaving layers that illuminate a sense of place, the distinctive pitched roof of the community building refers to the primary silhouette of early settlers’ houses—wrapped in a reduced utilitarian steel form. Underneath, an open plan gallery and indoor-outdoor viewing platform overlooking the plaza offer a flexible free flow space inspired by indigenous ideas of enclosure—defined by a warm, inviting timber material palette. Seamless encounters between art and community are activated by connections to the plaza and adjacent developments; histories and memories are layered into the place as one passes through. The result is a hybrid form that merges the legacy of early settlers and industrial materiality with Aboriginal origins.
“It provides a space of contemplation and diversity, a space to extend knowledge of experience – a multiplicity of experiences and narratives, currently extending back 60,000 years through the connection of the Gadigal people of the Eora nation. Acknowledging that we can never fully comprehend our past or future is the first step in reconciling differences of perception.”
“The idea of a public plaza provided a great opportunity for David and I to work together on the concept of relationships – how we as individuals perceive our relationship to a particular place and how collectively those relationships play out in a space.” Artist - Daniel Boyd
“This is an incredibly powerful work because it’s so unusual. It’s a public square but it’s also a room within the city. It has that wonderful ambiguity and the potential for an incredible presence in the evening.” City of Sydney’s Director of City Planning - Graham Jahn
Team:
Design Architect: Adjaye Associates
Architect of Record: Architectus
Artist: Daniel Boyd
Mechanical/Plumbing Engineer: Lendlease
Structural Engineer: Arup
