Parking Garage Skopje
Darko Hristov

Parking Garage Skopje by PPAG architects together with Milan Mijalkovic and Goricankaarchitekti

PPAG architects as Architects

Bad question, good answer It all started with a bizarre competition invitation:


A car park with 320 parking lots, shops and offices was to be developed in the centre of Skopje. Style: neo-gothic orbaroque. No surprise for anybody familiar with construction practice in Skopje in recent years. After the 1983 earthquake,Skopje was redeveloped under UN supervision according to a master plan by KenzoTange. Since the disintegration of Yugoslavia,Macedonia has been in search of identity. Nurturing a pro-European and civil attitude itself, the current governmentstrives to establish these objectives in architecture, too. Historical public buildings, monuments, even a triumphal arch, aredeveloping in the centre of Skopje.


PPAG interpreted the city’s request for a baroque appearance in a way that is only possible today. Images showing distortedperspectives of street façades were made into a collage, put into 3 dimensions, divided into four levels and joinedtogether to form an endless pattern – resulting in faint memories of the familiar mixed with innovative experience, both interms of technique and content. The elements were laser cut from cladding panels that are white on the outside, waste-free.


Daylight penetrates this torn chassis, casting silhouette-like shadows on the cars. In the evening, light emanates from thecar park, its façade quasi becoming a lampshade. By night, light flashes through the façade and the car park resembles anover-dimensioned lamp in the cityscape. It leaves both an ethereal and strong impression on the beholder. Whether thecar park could be regarded as an Aeolian harp, remains to be seen. In any case, this 21st century façade definitely seemsto have struck the competition initiators’ nerve, or should I rather say, fulfilled their desire for identity? Architecture as aproductive misunderstanding, as it were.


(The façade gives a methodical answer to what interventions could look like in European city centres from Paris to Milan.They should do justice to public sentiment without repeating history, which, we know, is impossible anyway.)


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