Product Spec Sheet

ElementBrandProduct Name
ShowersVOLA
decorative lightingFlos
FaucetsHansgrohe SE
ToiletsDuravit
CarpetsNanimarquina
FurnitureKartell

Product Spec Sheet
Showers
decorative lighting
by Flos
Faucets
Toilets
by Duravit
Carpets
Furniture
by Kartell

LE MERIDIEN HOTEL

Neri&Hu Design and Research Office as Architects

Framing a Journey through the City


In their design for Le Meridien hotel, Shanghai-based firm Neri&Hu envisions a new landmark for Zhengzhou, the capital of Henan province. Henan, once the ancient political, economic and cultural center of China and home to many Emperors, today welcomes the international traveler. To showcase Henan’s history through its Arts (of Literature, Nature, Food, Theater, and Pattern) the architects conceived of the building as an "archive" of new and old artifacts that becomes a point of discovery for residents and travelers alike.


Externally the archives are expressed as cantilevered stacked boxes, each carefully composed with subtle ins and outs to break down the bulky proportions of the original structure, while offering a dynamic visual counterpoint to the neighboring buildings. To differentiate the volumes the glass front of the each box is a slightly different tint of green and the negative space between boxes is clear glass. The sides of the boxes are clad in black and coffee colored metal panels textured with perforations patterned after the local Henan wild rose. Two floating canopies supported by a cluster of bronze poles leads the visitor to the main entrance.


The 25-storey building consists of a 5-storey podium of public functions and a tower of 350 private guestrooms. For the podium, inspirations are taken from the nearby historic Longmen Caves, one of the finest examples of Chinese Buddhist art carved into limestone cliffs. The architectural expression of excavation and carving is most strongly experienced in the various openings surrounding the central atrium that visually connect the public spaces across multiple floors. Skylights above pierce the space with shafts of natural light that highlight the sedimentary pattern on the grey sandstone clad walls. Green tinted windows and an extensive custom designed chandelier installation fill the high space with a diffusion of light and color.


Near the top of the atrium, the cave is represented by a more delicate articulation of dark timber boxes which fold down onto the walls. These wood boxes are a recurring architectural feature, a filigree of organic lightness juxtaposed against the heavy stone. In the Pre-function area the entire ceiling and wall is dominated by the folding waffle boxes arranged irregularly but rigidly at the same height. Certain boxes become windows looking across the atrium space, and in the Spa a few boxes become inset mirrors.


The timber coffer is perhaps most spectacularly realized in the Japanese Restaurant where the entirety of the ceiling of walnut boxes is constantly shifting in both height and size, several of the largest drop down low enough to form semi-private dining rooms. The ground beneath mimics the pattern of the ceiling above, and like an undulating landscape, it is populated by oak platforms of various heights, some meant to be occupiable by diners. A zigzagging path of white terrazzo carves its way through the leftover space as the main circulation. Extending from interior to exterior, the language of wood boxes continues seamlessly onto the Roof Garden, which is occupied by the very skylights that light up the atrium.


The hotel features two more restaurants which are visually connected vertically with strategic cuts in the floor. The Chinese Restaurant Private Dining Rooms are a series of black mesh volumes which then extend down into the All Day Dining Restaurant through the cuts. From below they appear as floating light boxes which illuminate the culinary delights laid out on the buffet stations below. The floors and walls of the All Day Dining are clad in custom designed tiles that combine the classic look of Delft blue ceramics with the traditional brush stroke of Chinese painting, while incorporating a Kungfu motif inspired by the proximity of the project to the renowned Shaolin Temple. The jewel of the hotel is the Ballroom which is conceived of as a hanging cage draped with gold metal mesh and crystalline pendant lights, a theatrical celebration of opulence. The walls slope inwards near the top of this room and allow space for a path to be carved out, serving as another unique feature of the hotel. The Poetry Walk functions as both a running track for the fitness-motivated guest, or a casual strolling path complete with scenic landscape views. This looping track slopes gently upwards culminating in a panoramic outlook towards the Roof Garden and then descends back into the subterranean where it links up with other Health Club facilities.


The core concept of the Guestroom design is a contrast of light and dark. The living and sleeping areas are defined by a palette of grey walls and a stained timber wainscot, while the minimal bathrooms are clad exclusively in white subway tiles and enclosed by a glass panel etched in white with the same floral motif as the exterior. To break through the endless repetition and monotony of typical hotel elevator lobbies and room corridors, the entire Guestroom tower features a series of three story atriums, spaces reserved for art installations. Each atrium represents a different theme such as Myth, Nature, or Culture, and takes advantage of the verticality to give each guestroom floor a unique fragment of the story.


This is the most extensive and largest scale inter-disciplinary design project Neri&Hu has undertaken, including: a re-design of the architecture from its previous concrete shell, full interior design from guest rooms to public spaces and restaurants, custom furniture design, signage design, landscape concept, and a few of the art installations. Through exploring different scales, textures, materials, and spaces, Neri&Hu created a showcase of archives by various ways of framing. Working closely with the client and the contextual references, Neri&Hu has curated a not only a spatial journey but a narrative sequence to serve the traveler and their experience of the city.

Le Meridien Hotel

Shma Company Limited as Landscape Architects

Shma Company Limited presents Le Meridien Hotel, located in an urban intersection of Zhengzhou City, China. The small-scale renovation project comprises 6,000M² of landscaped area in front of an existing five-star hotel, completed in 2013 by Neri & Hu. The client’s brief calls for a stunning hotel frontage landscape to improve the overall appearance, as well as to simultaneously resolve ground parking spaces and vehicular movement. Being in a densely populated area, the firm set out to achieve a landscape that is interactive, imaginative, and artistically crafted in order to create a new landmark for the neighborhood.

photo_credit Arch-exist
Arch-exist

Paying tribute to the historical textile weaving industry of Zhengzhou, Shma created sculptural-like landscape weaves and folds to reveal an aesthetically pleasing public space. A series of undulating lawn stripes represent the silk being woven - up and down - into fabric sheets by traditional machines. An interval space is defined by matching the existing lobby pillars and architectural orders to stitch the landscape and building together in the master plan, seamlessly integrated with the car parking layout. A water feature with a sculpture is proposed in front of lobby drop-off area as a main welcoming element.

photo_credit Arch-exist
Arch-exist

The use of two different colors for finishing of stainless steel for the planters is to play with the unique public/private characters of the urban hotel. When viewed from the public roadside, brilliant bronze color is used to project outgoing and fun energy signifying the importance of this urban corner, while black mirror material is selected to achieve a calmer and more relaxing emotion when perceived from the hotel side looking out.

photo_credit Arch-exist
Arch-exist

Given that there are massive structures of a new underground metro station beneath half of the landscaped spaces, the firm took great care in the coordination of paving patterns, manholes, and planting soil depth to achieve a simplistic design result. That includes the camouflaging of four ventilation shafts and an emergency staircase structure that pops up on the landscape, providing mirror finishes that make them disappear visually.

Once the landscape was completed, the whole hotel district was lightened by the wavy lawn stripe, the unified reflective water feature, and the interplay of reflection from mirrored planter finishes. It’s a privately owned public space that is quickly becoming a new gathering spot catered to a variety of activities, from a meeting spot for friends, a place for Instagram selfies, to a backdrop for wedding photoshoots. The landscape is perceived as a new landmark of the intersection and has drawn tremendous interest from both residents and visitors.

photo_credit Arch-exist
Arch-exist

In this project, the firm's approach was to design and create a sculptural-like landscape for Le Meridien, while collaborating with the client to solve numerous site problems during the construction process. The result is that Le Meridien has become one of Zhengzhou's landmarks.

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