The Royal Pavilion Southend Story by White arkitekter AB The Royal Pavilion Southend The Royal Pavilion and the world’s longest pier Story by Lay Light by Fiberline The Royal Pavilion and the world’s longest pier

The Royal Pavilion Southend

White arkitekter AB as Architects

Since opening in 1835, Southend Pier was the town’s pride and joy, attracting visitors from all corners of the UK. However, this once glittering seaside resort gradually fell into decline. Today, the pier is a connected, carbon-neutral social space that reinvigorated the tourist economy and reinstated the civic heart of Southend.


Sculpted by Wind and Wave

In response to an international design competition, the entry, ‘Sculpted by Wind and Wave’, proposed an urban living thoroughfare. Starting as an extension of the high street, this public promenade culminates at the pier head with the Royal Pavilion; a cultural and visitor centre that runs solely on renewable energy, wind power and sea water heat pumps.


The Royal Pavilion hosts a busy year-round schedule of exhibitions, film screenings and all nature of live performance and events. The centre, complete with artist studio space, is supported by a restaurant for visitors, while the jewel in the crown is a 500 seat open-air theatre. All elements offer dramatic views of the sea and Essex coastline.


“Something for everybody. Not just one building, but several, where different things are happening, attracting different people with different tastes.”

-      Peggy Dewitt, Southend Pier Museum Manager


Building resilience

The cultural centre, theatre and restaurant were arranged to provide shelter, as well as to give the best possible views outwards. Structural elements borrowed their shape from the waves to root the scheme within its coastal landscape. The maritime environment is challenging for most traditional building materials, especially in the long-term. Timber, Corten steel and glass were selected to withstand this tough coastal climate, removing any need for maintenance.

 

Design development and delivery was in collaboration with London-based practice, Sprunt.

The Royal Pavilion and the world’s longest pier

Lay Light by Fiberline as Facade

The story of Southend Pier is the story of a magnificent structure that has survived two world wars, numerous fires, shipping collisions, and several design modifications, the latest being the addition of a cultural centre which has won the coveted 2013 RIBA Regional Award for its unique exterior cladding.


In 1830 a pier was constructed at Southend-on-Sea, 50 km east of London in the Thames estuary, for the loading and unloading of ships at high water. When opened, the pier extended 150 metres into the sea and was made entirely of wood. Over the ensuing decades the structure was lengthened several times, first to 450 metres and then in 1848 to an impressive 2,100 metres, which made Southend pier what it was and still is - the world's longest pleasure pier.


In 2007 the borough council decided to restore the existing structure and organised an architectural competition that was eventually won by White Arkitekter with a proposal to establish a cultural centre.


Fredrik Pettersson, the project architect and a partner in the White practice, describes the assignment: "The aim was to create a modern attraction with historical roots which could draw visitors and generate pride in the local community. We proposed a meeting place for both tourists and residents, which included a restaurant, café and cultural centre. A place where - after a 20-minute stroll from Southend's colourful promenade – the sensation would be that of being aboard a ship at sea, surrounded by water, sky and the cries of the gulls."


The result was the Southend Pier Cultural Centre, which has since been renamed The Royal Pavilion, a dynamic and almost sculptural building of 364 square metres that was completed in 2012 but has just been officially opened. But what demands are made on a structure situated more than 2 km offshore in a salty and rugged environment?


"The Thames estuary is an aggressive environment and makes very special demands on the material used. We therefore decided to clad the building using Fiberline facade panels made of FRP composite. This material has a long and successful history in offshore contexts, so we knew it could withstand the harsh environment," explains Fredrik Pettersson.


But durability was not the only reason why White Arkitekter and Fredrik Pettersson opted for Fiberline's facade product:


"Observed at close quarters, the translucence of the material and the almost textile-like quality of the surface are quite unique. Moreover, the greenish hue changes according to the light and weather – just like the sea. The product blends beautifully with nature and the surroundings," continues Fredrik Pettersson.


It was precisely the unique ability of the facade cladding to fuse with the surroundings which led to The Royal Pavilion receiving the 2013 Surface Design Award in the category 'Public Building Exteriors'. As a further handsome tribute the building also won the coveted 2013 RIBA award of the Royal Institute of British Architects.


The construction of The Royal Pavilion continues an old tradition on the part of many British coastal resorts for placing entertainment and recreational amenities far out at sea on piles. You can find out more about The Royal Pavilion, including opening times, by visiting Southend-on-Sea Borough Council.


Facts about Fiberline's facade planks


The translucent facade cladding made of FRP composite is a living material which allows the passage of light while also being non-reflective. The reinforcement in the material is clearly visible, creating a fascinating architectural effect.


Benefits:


- High rigidity and low weight - Large spans (up to 15 m) - High weather resistance - Surface structure gives unique effect


Assembly: The planks can be installed both vertically and horizontally and used as a ventilated building envelope.

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